Windows Open!

open windows pixabay no attribution required

In the Midwest, the invigorating change of the seasons was often marked by melting or returning snows, reappearance or disappearance of greenery and flowers, along with changes in the patterns of wildlife visiting the yard. In Texas, transformations related to precipitation, flora and fauna are much more subtle to the non-scientific eye. For me, the main difference is whether or not I can comfortably open my windows. With a twenty degree drop in the temperature since yesterday, today is one of those marvelous days to open the windows wide.

This may sound like such a simple and even mundane act, but it’s an activity that many Texans, who are accustomed to such high temperatures, often seem to overlook. Indeed, many of the local apartment buildings, including my own, do not include window screens. That presents a choice to be made: leave the windows closed at all times, open them and risk unwanted flying visitors, or add some sort of protection. During my first autumn here, I remembered a type of free-standing window screen from childhood that opened like an accordion to fit various sized apertures. Where was my handy neighborhood hardware store when I needed it? Impatience had a hold on me, and ordering through the internet would have taken too long. Surprisingly, I found several at Wal-Mart, after sifting through a pile where many seemed to be damaged. I was on my way to opening my windows.

The next issue was how to make sure the new screens didn’t fall out onto those passing below, since their fit into the window opening isn’t exactly fool-proof. I found articles posted by individuals on the internet about just this topic, with suggestions that involved carpentry (not for me), Velcro, and removable adhesive putty. I went with a white version of the latter, since I was familiar with its easy and mess-free use from mounting things on my classroom walls as a former teacher. Just one little wad on each wooden end piece, while leaving my window closed a little farther than the height of the screens, and I secured them in place. Depending on the configuration of your windows, this may not be an air-tight fit, and you might still need to be on the lookout for small insects. I would certainly avoid these types of screens if I had a curious pet or young child.

Today’s cool breezes feel glorious. I can hear light traffic noises, occasional bird calls and distant voices. When opening the windows, we also put ourselves out there and share somewhat personal snippets of our lives, such as escaping cooking smells, voices, and the sounds of our favorite music, television program or current audio book.

The act of writing is a bit like opening windows. In sharing memoir and personal essays, we reveal our beliefs, feelings and memories to the world. Even in fiction, we raise the sashes that protect our personal experiences on which plots and characters are often based. We take a chance on rejection, disregard, or disagreement when opening ourselves up to the public, whether we share through a critique group, blog, website, self-publication, or if we publish in a traditional format. The potential rewards are many. Other writers and the public at large often embrace our written ideas and may offer helpful feedback, as well.

As writers, we should try to avoid being fearful of the results, take chances, and open our windows to the world beyond.


Collecting Memories

As a typical kid growing up in the 1950s, I collected the usual sorts of things, like pretty stones, smooth driftwood, multi-colored marbles, favorite books and treasured dolls. I wasn’t really much of a “pack rat,” though, and by the time I moved away from home the only parts of those collections that remained were a set of Trixie Belden mysteries and a few Barbie dolls.

As the years went by, the basis for my taste in collectible books remained much the same: heavy on the mystery and brimming with nostalgia. Most of the books I’ve sought out or have purchased after being pleasantly surprised by their appearance hold a connection to the past. When my life hit a U-turn a few years ago, and I was faced with downsizing from a house to a small apartment, my treasured book collection took a necessary but serious hit.

map backWhat remains is a selection of childhood chapter books, Golden Books related to memories but collected as an adult, author-signed novels, and a few vintage tomes that are too wonderful (and smelly) to ever discard. The largest set in the lot is my Dell Mystery Map Backs. As a child, I loved books that included illustrations of maps. Imagine my delight as an adult to discover these wonderfully “campy” mysteries with the great front cover art (although sometimes a bit lurid) and maps on the backs to match the stories. When moving day arrived, the only map backs I had parted with were a few duplicates.

Luckily my apartment has ample kitchen cupboard space, since my other main collecting activity has turned toward dinnerware, including Luray Pastels, Fiestaware, and Blue Willow. I really can’t bear to part with most of the pieces, since they were handed down to me from my grandmothers, mother, and several aunts.


The delicate scrollwork and pastel tones of the pink, blue, yellow and green Luray originated in West Virginia, near the Luray Caverns, from 1938-1961 and were made by Taylor, Smith, and Taylor Company. The set I now have once belonged to my mother’s older sister, and they often make me think of our homes in Michigan. The only piece that I use daily is the yellow salt shaker, and my favorite example that’s on display is the blue teapot. For a period of time, light gray additions were also produced, but never caught on in popularity and were then dropped. Pieces in that color are now highly collectible, and I’m happy to say that I hung on to the gray Luray platter that I bought “for a song” some years back.

fiestaware multiAlthough Fiestaware, which is produced by the Homer Laughlin China Company, also of West Virginia, was introduced in 1936, my pieces are not in the realm of vintage, unless that includes a set purchased through the J.C. Penney catalog in the 1990s. I had admired these colorful, sturdy dishes at the homes of friends as a child, and when I had the chance to purchase dinnerware of my own they seemed like the logical choice. Fiestaware is available in a wide range of colors, and my set is composed of deep pastels, including turquoise.  Over time, I’ve also added select pieces in red to be used as serving dishes. I often make use of the small plates and bowls while “cooking for one” and display the reds in my Hoosier-type cabinet in the fall and around the holidays.

Blue WillowWillow is an elaborate design that has been used on kitchen ware for hundreds of years and probably got its start as Spode transferware. Various colors have been used, and mine is all of the popular blue variety. The lovely scenes that are depicted include detailed buildings, gardens, bridges, and figures, which found their inspiration in wares that originated in China. Various companies appear to use these patterns, and my wide assortment came from both grandmothers, my father’s oldest sister and my mother. They all remembered that I had expressed an interest in those dishes as a child, and that fact makes me treasure them even more. I sometimes use the small bowls or plates and regularly display my favorites. The patterns vary and several that really catch my eye are the ones made in Holland that include camels in their designs.

No matter which type of collecting, my favorite objects will always be those that invoke a memory of the past or the air of childhood. If you were to ask my grandchildren about what I collect, they would probably say “roosters,” and I admit that quite a few of them in various incarnations do reside in my kitchen. Although only a few of them are connected to childhood, like my mother’s egg cups, I’ve had most of them for years. If the roosters could talk, they would tell stories about the history of my former life and marriage, including observations on all of the interesting kitchen renovations where they have “lived.”

As far as the Trixie Belden books and Barbie dolls that I took away from my childhood home as a newly minted adult, I still have them. The pages are somewhat discolored and brittle. The words and pictures still carry a type of intrigue and predictable comfort that I hope to instill in my own writing for children. Barbie and Ken make a curious couple, with his right arm missing and her bouffant hair somewhat worn off from the back of her head. They’re still smiling, though, after all these years.Barbie and Ken